Roman Polanski Wins Best Director at France’s Cesar Awards, ‘Les Miserables’ Wins Best Picture – Variety

As a contentious edition of France’s Cesar awards wrapped, Roman Polanski won best director prompting many walkouts such as candidate Adele Haenel, star of “Portrait of a Lady on Fire.” Ladj Ly’s” Les Miserables”won finest image as well as the individuals’s option reward, best male newbie (for Alexis Manenti

)and finest editing. Neither Polanski nor the cast and crew of “An Officer And A Spy” (“J’accuse”) was on hand at the awards event hosted at the Salle Pleyel in Paris on Friday. Polanski stated on Thursday that he would avoid the event to avoid being “lynched,” however that didn’t prevent a protest by more than 100 people that was staged in front the location by the advocacy group Osez le Feminisme.

“An Officer and a Spy” dives into the true story of the Dreyfus Affair, a well-known case of anti-Semitism in late-19th-century France. The film’s French title, “J’Accuse,” refers to the popular 1898 open letter composed by novelist Emile Zola implicating the French federal government of anti-Semitism.

The movie’s manufacturer Alain Goldman stated on Friday that the team would boycott the event due to what he viewed as “an escalation of violent and unsuitable language and behavior.” Goldman described the remark made by French culture minister Franck Riester on Thursday that “an award for

Roman Polanski would provide an incorrect symbol. “The nominations for Polanski’s movie– one of his biggest successes with 1.5 million tickets sold– triggered outrage and contributed in big parts to the crisis that lead the 21-member board of the org overseeing the Cesar Academy to resign en masse. As part of the radical shake-up, the Cesar Academy’s president Alain Terzian was changed by the manufacturer Margaret Menegov, who will supervise a transition duration up until a brand-new board is announced in April.

Polanski has been living in exile in France because leaving the U.S. in 1978, before he might be sentenced after pleading guilty to making love with a 13-year-old woman. The helmer likewise faced recent allegations made by French actress Valentine Monnier, who told the French press in November that Polanski had raped her at a ski chalet in Gstaad, Switzerland, in 1975.

Besides the noms for Polanski’s movies (stemming from the votes of 4313 members), the Cesars were likewise heavily slammed for shutting out feminist characters such as director Claire Denis and author Virginie Despentes from one of the gala events preceding the event. Paradoxically, Denis was the one who revealed Polanski’s best director win on stage, triggering lots of responses on social media.

After winning 4 Oscars and a raft of international awards, Bong Joon Ho’s “Parasite” won best foreign-language film, beating Todd Phillips’s “Joker,” Quentin Tarantino’s “Once Upon a Time in Hollywood,” Pedro Almodovar’s “Pain & & Glory,” Matteo Garrone’s “The Traitor,” Jean-Pierre and Luc Dardenne’s “Young Ahmed” and Laurent Micheli’s “Lola vers la mer.”

Haenel, the star of “Portrait Of A Lady On Fire” and one of France’s top actors, looked like a shoo-in for the best starlet nod however the award went to Anais Desmoustier for “Alice And The Mayor.” The snub for Haenel raised eyebrows in journalism space thinking about that she has actually been at the leading edge of France’s #MeToo motion after declaring harassment by French director Christophe Ruggia from the age of 12.

Mounia Meddour’s “Papicha” won best first film and female newbie for Lyna Khoudri. Set in Algiers in the 1990s, “Papicha” follows bold young females who refuse to worship fundamentalism and turn down the new restrictions enforced by the radical Islamists as the women plan to put on a fashion program.

The finest star award went to Roschdy Zem for his performance in Arnaud Desplechin’s “Oh Mercy.”

It was a huge night for films that had premiered at the

Cannes Film Festival, including “Les Miserables,” “Portrait of a Young Lady on Fire” and “Oh Mercy, “which played in competition,” La Belle Epoque” out of competition, and”Papicha “in Un Certain Regard. Jeremy Clapin’s Oscar-nominated”I Lost My Body”snatched best animated feature and finest initial score. The adult-skewing animated movie scooped the leading prize at Cannes’ Directors Fortnight.

Francois Ozon’s “By The Grace of God,” on the other hand, won one Cesar Award for best supporting star (Swann Arlaud). The Catholic church sexual assault drama won in 2015’s Silver Bear at Berlin.

Nominated for 12 awards, “An Officer And A Spy” also took house best adapted screenplay (for Polanski and Robert Harris) and outfit. The movie formerly won finest director at the Lumiere Awards, France’s equivalent to the Golden Globes, and the Silver Lion at Venice.

Best Editing

Anna Danché, Florent Vassault, “La belle époque”
Laure Gardette, “By The Grace of God”
Dorian Rigal-Ansous, “The Specials”
Hervé de Luze, “An Officer and a Spy”
Flora Volpeliere, “Les Miserables”

Best Cinematography

Nicolas Bolduc, “La Belle Epoque”
Pawel Edelman, “An Officer and a Spy”
Julien Poupard, “Les Miserables”
Claire Mathon,” Portrait of a Young Lady on Fire”
Irina Lubtchansky “Oh Mercy”

Best Costumes

EMMANUELLE YOUCHNOVSKI– LA BELLE ÉPOQUE
THIERRY DELETTRE– EDMOND
PASCALINE CHAVANNE– J’ACCUSE ALEXANDRA CHARLES– JEANNE DOROTHÉE GUIRAUD– PORTRAIT DE LA JEUNE FILLE EN FEU Best Production Design STÉPHANE ROZENBAUM– LA BELLEÉPOQUE BENOÎT BAROUH– LE

CHANT DU LOUP FRANCK SCHWARZ– EDMOND JEAN RABASSE– J’ACCUSE THOMAS GRÉZAUD– PORTRAIT DE LA JEUNE FILLE EN FEU Finest Original Score FATIMA AL QADIRI– ATLANTIQUE ALEXANDRE DESPLAT– J’ACCUSE DAN LÉVY– J’AI PERDU MON CORPS MARCO CASANOVA,

KIM CHAPIRON– LES MISÉRABLES GRÉGOIRE HETZEL– ROUBAIX, UNE LUMIÈRE Finest Sound RÉMI DARU, SÉVERIN FAVRIAU, JEAN-PAUL HURIER– LA BELLE ÉPOQUE NICOLAS CANTIN, THOMAS DESJONQUÈRES, RAPHAËL MOUTERDE, OLIVIER GOINARD, RANDY THOM– LE CHANT DU LOUP LUCIEN BALIBAR, AYMERIC DEVOLDÈRE

, CYRIL HOLTZ, NIELS BARLETTA– J’ACCUSE ARNAUD LAVALEIX, JÉRÔME GONTHIER, MARCO CASANOVA– LES MISÉRABLES JULIEN SICART, VALÉRIE DE LOOF, DANIEL SOBRINO– PORTRAIT DE LA JEUNE FILLE EN FEU

Nicolas Bedos’ “La Belle Epoque” won finest initial screenplay, supporting actress (for Fanny Ardant) and set design, while Céline Sciamma’s “Portrait Of A Lady On Fire,” the 18th-century-set romance, only best cinematography out of 10 nominations. The movie had won best movie script at Cannes.

For the very first time because its development 45 years ago, there were no Cesar honorees. Brad Pitt was reportedly approached by the Cesar Academy to get the profession tribute however decreased. Due to the politically-charged context of this year’s ceremony, numerous French stars and directors likewise handed down attending the event and/or declined to present awards, sustaining jokes from the emcee, the comic Florence Floresti. The emcee likewise made several jokes about Polanski through the evening, calling “An Officer and A Spy” “J’accuse Pedophile.”

And the 2020 Cesar winners are:

Best Film

“La Belle Epoque,” Nicolas Bedos
“By The Grace of God,” François Ozon
“The Specials,” Eric Toledano, Olivier Nakache
“An Officer And A Spy,” Roman Polanski
“Les Miserables,”

Ladj Ly” Portrait Of A Lady
On Fire,” Céline Sciamma”Oh

Mercy,”Arnaud

Desplechin Finest Director François Ozon,”
By The Grace of God “Eric Toledano, Olivier Nakache
, “The Specials”
Roman Polanski,”
An Officer And A Spy “Ladj Ly,” Les Miserables”
Céline Sciamma, “Portrait Of A Lady On

Fire “Arnaud Desplechin,”
Oh Mercy “Best Actress Anais Demoustier, “Alice and The Mayor”Eva Green, “Proxima” Adele Haenel,”
Portrait Of A Lady On Fire”
Chiara Mastroianni, “Chambre 212″Noemie Merlant,”Portrait Of A Lady On Fire”
Doria Tillier, “La belle époque”
Karin Viard, “The Perfect Nanny”

Best Actor

Daniel Auteuil, “La belle époque”
Damien Bonnard, “Les Miserables”
Vincent Cassel, “The Specials”
Jean Dujardin, “An Officer and a Spy”
Reda Kateb, “The Specials”
Melvil Poupaud, “By The Grace of God”
Roschdy Zem, “Oh Mercy”

Best Foreign Film

“Pain and Glory,” Pedro Almodovar
“The Young Ahmed,” Jean-Pierre and Luc Dardenne
“Joker,” Todd Phillips
“Lola vers la mer,” Laurent Micheli
“Once Upon a Time in Hollywood,” Quentin Tarantino
“Parasite,” Bong Joon-Ho
“The Traitor,” Marco Bellocchio

Best Documentary

“68, mon père et les clous,” Samuel Bigiaoui
“La cordillere des songes,” Patricio Guzman
“Lourdes,” Thierry Demaizière, Alain Teurlai
“M,” Yolande Zauberman
“Wonder Boy Olivier Rousteing, ne sous X,” Anissa Bonnefont

Finest First Film

“Atlantics,” Mati Diop
“Nom de la terre, Edouard Bergeon
“Wolf’s Call,” Antonin Baudry
“Les Miserables,” Ladj Ly
“Papicha,” Mounia Meddour

Finest Original Screenplay

Nicolas Bedos, “La Belle Epoque”
François Ozon, “By The Grace of God”
Eric Toledano, Olivier Nakache, “The Specials”
Ladj Ly, Giordano Gederlini, Alexis Manenti, “Les Miserables”
Céline Sciamma, “Portrait Of A Lady On Fire”

Best Adapted Screenplay
Costa-Gavras, “Adults in the Room”
Roman Polanski, Robert Harris, “An Officer and a Spy”
Jeremy Clapin, Guillaume Laurent, “I Lost My Body”
Arnaud Desplechin, Lea Mysius, “Oh Mercy”
Dominik Moll, Gilles Marchand, “Seuls les bêtes”

Best Supporting Actress

Fanny Ardant, “La Belle Époque”
Josiane Balasko, “By The Grace of God”
Laure Calamy, “Seules les Bêtes”
Sara Forestier, “Oh Mercy”
Hélène Vincent, “The Specials”

Best Supporting Actor

Swann Arlaud, “By The Grace of God”
Grégory Gadebois, “An Officer and a Spy”
Louis Garrel, “An Officer and a Spy”
Benjamin Lavernhe, “Mon Inconnue”
Denis Ménochet, “By The Grace of God’

Best Female Newcomer

Luàna Bajrami, “Portrait of a Young Lady on Fire”
Céleste Brunnquell, “Les Éblouis”
Lyna Khoudri, “Papicha”Nina Meurisse
, “Camille”
Mama Sané, “Atlantics”

Best Male Newcomer

Anthony Bajon, “Au Nom de la Terre”
Benjamin Lesieur, “The Specials”
Alexis Manenti, “Les Misérables”Liam Pierron,
” La Vie Scolaire”
Djebril Zonga, “Les Misérables”

Best Animated Feature

“La Fameuse Invasion des Ours en Sicile,” Lorenzo Mattotti
“Les Hirondelles de Kaboul,” Zabou Breitman
“I Lost My Body,” Jérémy Clapin

Nicolas Bedos’ “La Belle Epoque” won best initial movie script, supporting actress (for Fanny Ardant) and set style, while Céline Sciamma’s “Portrait Of A Lady On Fire,” the 18th-century-set love, just best cinematography out of 10 elections. Mounia Meddour’s “Papicha” won best first film and female newcomer for Lyna Khoudri. Jeremy Clapin’s Oscar-nominated”I Lost My Body”nabbed finest animated function and best original score. Francois Ozon’s “By The Grace of God,” meanwhile, won one Cesar Award for finest supporting star (Swann Arlaud). Chosen for 12 awards, “An Officer And A Spy” also took house best adjusted screenplay (for Polanski and Robert Harris) and costume.

Since bowing at

Cannes Film Festival where it won the jury reward, ” Les Miserables “went on to win a Goya Award, and was nominated for an Oscar and a Golden Globe. The movie is motivated by the 2005 French riots and follows 3 police officers who discover themselves overrun throughout the course of an arrest in a task.

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